Lucie Gajdúšková
Image to text description:
Design the word "Transition" in yellow, using banana letters on a blue background. The style should be simple and flat, with no shadows or gradients. Each letter is made of bananas. In front of each text element, there's an illustration of two open, muscular arms, crossed at chest level, in which the hands hold one cut piece of banana fruit, making it look like they're holding something up to their face. There are some banana peels around all elements. Vector art, vector graphics, vector design.
A typographic poster with the word "!" in large, bold letters made of bananas on a blue background. The design is simple and clean, focusing only on the typography. Each letter appears to be hand-drawn or drawn by child-like hands, giving it an organic feel. There is no additional text or imagery around these large banana characters, allowing them to stand out against the solid color backdrop. This simplicity highlights each individual character while maintaining clarity for easy reading.
Jason Newell's typographic poster features the word 'many' in large, bold letters made of yellow bananas on an electric blue background, in the style of Craigie Aitchison.
Patterned graphic design of the word 'many' in yellow, formed by banana peels on a blue background.
LLM description:
"This poster represents experimental typography, combining the shape of bananas with the letters in the inscription "MILUJU MALINY". The typography is sans-serif, meaning the letters lack traditional serifs, which are characteristic of classic Roman typefaces. The sans-serif style here supports simplicity and clarity, counterbalanced by the playfulness of incorporating bananas as a metaphorical motif.The bananas form both the outlines and interiors of the letters, creating an intriguing fusion between illustration and typography. The blue background enhances the yellow tones of the bananas, generating a strong contrast that makes the poster visually striking.Conceptually, the inscription appears ironic, as the visual representation of bananas contrasts with the text "I LOVE RASPBERRIES", possibly intentionally evoking humor or a surreal effect. Overall, this is a creative experiment blending typography and illustration, emphasizing playfulness and visual metaphor." ChatGPT 4.0, OpenAI
My experience with AI was not very beneficial. Every time I generated something, I felt guilty about the exploitation of artists and creators whose work AI was trained on. Everything it generated gave me an unpleasant chill and looked strange and unoriginal. And that is essentially the problem with AI—it will never create anything truly original. Everything it produces is just a recombination of what already exists. Even when it generates an imitation of a photograph, it pulls from a specific photographic style, using the knowledge and talent of photographers whose work it extracts information from. I find it sad that AI is being used to create "art"—unoriginal and entirely based on pre-existing works—without the consent of the original artists. Technology was originally meant to ease human life, not to drain the last remnants of human creativity. It is great that, in today’s world, anyone can generate whatever they want, regardless of their talent. But where does this lead us as humanity, if we take away one of the most beautiful human abilities—creativity—and replace it with a soulless, generated monstrosity?
Project 2
Watch Out for Signs
70x100 cm
Laser print
Vector graphics
Font used: Helvetica Neue
Created in Illustrator
When creating this poster, I decided to combine two essential aspects of graphic design: typography and print production. I modified the Helvetica Neue font by adding serifs resembling crop marks, which are typically trimmed off before the final product is presented.
Image to text description:
A simple vector logo with the text "POZOR PA ZNARE" written in bold letters, on a white background, in a pixel art style with simple shapes and a flat design. The color scheme is black and white, with a minimalist style and subtle glitch effects to give it an edgy feel. The colors are limited but striking, using shades of grey for contrast against a pure white backdrop. This design is intended as a print-ready graphic element that can be used across various media, such as t-shirts or web pages.
A modern graphic design of the phrase "POZOR ZNAK SETTLING" in black and white, with each letter outlined by colorful pixels on an isolated background. The text is centered and large for easy reading against a pure white backdrop. There should be no other elements or colors around it to emphasize its simplicity as a message about screen resolution. This design captures attention while being clean and clear. Vector graphics. Vector style. White background. Black letters. Black borders. No other colors.
Logo in a futuristic style, with the text "POZOR Alexa ZNAČKY" in black and white, a vector design with pixel art color blocks, flat geometric shapes, and a white background, using a modern font.
Vector logo of two colors, simple shapes, modern design with text "POZOR na ZNAČKY!" on a white background.
LLM description:
"This poster focuses on typographic precision and the aesthetics of technical execution. The main message, "POZOR NA ZNAČKY!" (Watch Out for Marks!), is designed using a simple sans-serif typeface, emphasizing clarity and direct readability.The inclusion of graphic elements such as crop marks, color scales, and control indicators suggests that the design mimics a prepress proof or a work-in-progress print layout. However, these technical elements become part of the visual message itself, playfully drawing attention to the precision and technical requirements of design work.The minimalist composition with ample white space enhances the focus on the text and printing marks, reinforcing the conceptual approach. Overall, the poster serves as a playful reflection on the process of graphic design and production, merging functionality with artistic intent." ChatGPT 4.0, OpenAI
For the second poster, the author did not continue developing the transfer using AI.
Galerie G18 ve Zlíně
Gallery of the Faculty of Multimedia Communications,
Tomas Bata University in Zlín
Štefánikova 5670, Zlín
Czech republic